HARRISON NOMATIC ALEXANDER GRAHAM
Click the X for Quick Links
As an artist with an old soul living in the Digital Era, the most exciting thing you can do is print those creations into physical format.
As an independent artist this is both easier and more confusing than ever.Elasticstage produces my Vinyl, yet Amazon hosts my Novel, and other service's will soon offer my official merch/ ART prints♡It is hard to find a place that is a one stop shop for all types of art (music, clothing, novels, prints) offering all formats, and that is why I created this page.Think of it as a Hub.
A Link Tree of everything you can Purchase NOMATIC.
WELCOME TO THE NOMATIC X SHOP!
Vinyl ● CD ● Lyric Books
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● LIVE
Prints ● Magazine ● Canvas
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(In progress)
Novels ● Centra Saga ● Philosophy
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(In progress)
Hoodies ● Stickers ● Pins
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(In progress)
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Vinyl ● CD ● Lyric Books
AFTER DARK
Album #3
^ 10 Track Vinyl + 10 Page Lyric Booklet
^ 10 Track CD + 10 Page Lyric Booklet
DisEmber LP
(ExtEnded Edition)
Album #2
^ 16 Track Record (ExtEnded) + 10 Page Lyric Booklet
^ 10 Track Record + 10 Page Lyric Booklet
NOCTURNAL
Album #1
^ 9 Track Record + 10 Page Lyric Booklet
Compilation Albums:
Made specifically for physical format.
BLACK SEA:
Full Edition
SELF / BROKEN
Click on merch to view in store🖤
Vinyl ● CD ● Lyric Books
C R A W L
Mixtape #7
BROKEN WAVES
Mixtape #4
PINKHAT
Mixtape #2
SyNatiX
Mixtape #1
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Vinyl ● CD ● Lyric Books
WINDOW
EP #8
A DARK NIGHT
EP #1
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Vinyl ● CD ● Lyric Books
LIV 2 DIE
DARK AGE DEMOS
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Prints ● Magazine ● Canvas
Merch
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Hoodies ● Stickers ● Pins
Main Socials
ART
Music
Writing
What is Nomatic X ?
Nomatic is my online persona.
My Personal chosen name,
Alongside ones given.Some shorten to MaticX marks the spot.
X ties me to any given Artform, Platform, or Collaboration
X marks the Destination.
X marks the point of Interest
X marks the Search
X marks the ?
X marks the Unknown
X marks the Signature
X marks You
?
Are you trying to easily view my entire music catalog?
Or read and discover more behind the music?
Latest Release:
ELIXIR | Mixtape 8
Latest Album:
Never, Forever lp
Never & Forever
MUSIC DISCOGRAPGY:
Scroll down through - or click an album cover to learn more
SERIES:
2018-PRESENT:
2024-PRESENT:
⚠️ BIOGRAPHY UNDER MAINTENANCE ⚠️
Status: Unfinished
The Full Journey.
An Auto-Biography by Nomatic
KEYS
♥︎ - THE NOCTURNAL SAGA
♡ - NOCTURNAL SAGA Side Quest
⚔️ - THE RED SAGA
✪ - Personal Favorite
⚠️ BIOGRAPHY UNDER MAINTENANCE ⚠️
Status: Coming Soon
In order of release:
Instead of Albums & Projects, think of them as Chapters.Chapters of my life.You could easily click one and Jump Right There, or continue scrolling to read my story in full.
That's the order I released them in, best for stats and reading along with the the story in fullBut if you want the full experience I would recommend listening in order of creation as some projects and mostly demos from older eras I didn't clean up and mix together till much later
Start by reading the first Journal ⏬️
In order of creation:
Start by reading the first Journal ⏬️
SyNatiX 2017
Mixtape #1 Genesis
DESCRIPTION:
MIXTAPE
Released: July.7.2017
After writing countless songs, and catching a feel for how to record and mix vocals I decided it was time to release my first body of work, at 16 years old I figured the best way to make it sound cohesive was to stick to the same producer, Syndrome was one of the first producers I had found with a wide enough range of catalog, so I decided to use his beats.
the vocal quality is far from the best, as I really didn't know what I was doing, especially at 16, but I was proud to finally have something finished, something to use as an example to make people understand what I'm working at, releasing it full of anxiety just after my 17th birthday
- The Tapes Name came from blending both my name, and Syndrome's together (SyNatiX) using an X as spelling instead of SyNatics, it simply flowed better and doubled as a way to show cross collaberation.
TIMELINE:
| Tracklist: 10 | Runtime: 34:55 | Recorded: Date | Prod. Syndrome | Recorded: Location |
|---|---|---|---|---|
| 1. Clockwork | 1:30 | 2016/17 | Syndrome | Duke St. |
| 2. Dedication | 3:50 | 2016/17 | Syndrome | Duke St. |
| 3. Fallout | 4:00 | 2016/17 | Syndrome | Duke St. |
| 4. Thoughts | 4:05 | 2016/17 | Syndrome | Duke St. |
| 5. Shadows | 3:50 | 2016/17 | Syndrome | Duke St. |
| 6. Migraines | 3:10 | 2016/17 | Syndrome | Duke St. |
| 7. AfterThoughts | 3:40 | 2016/17 | Syndrome | Duke St. |
| 8. Soldier +Extended Outro | 3:45 | 2016/17 | Syndrome | Duke St. |
| 9. INCENTIVE | 3:51 Bonus | 2016/17 | Syndrome | Duke St. |
| 10. ALONE | 3:14 Bonus | 2016/17 | Syndrome | Duke St. |
A DARK NIGHT 2018
EP #1 ♡
DESCRIPTION:
EP
Released: Dec.18.2018
A Dark Night was born from loss — twice.
Started as my first album in 2018,
After two full projects disappeared to crashed hard drives and inexperience, music became less a hobby and more a lifeline. Moving On, the final track recorded in that first home setup, marked a shift: a more mature voice emerging out of frustration and confusion.Relocating, learning a new space, and staying up night after night chasing inspiration led to a spontaneous run of tracks over Ocean Beats’ production. Almost a full 10-song project appeared — raw, emotional, urgent — until fate struck again. Another crash. Another erasure.Only four MP3s survived.No stems. No high-quality backups. No chance to revise or perfect. Just what existed in the moment — real, unfiltered, and permanently scarred by circumstance.So A Dark Night is released as-is.
An imperfect relic.
A prequel to the Nocturnal Saga that would come after — a thematic spark that destiny forced into existence.This wasn’t the plan.
But sometimes destruction is the first step toward evolution.A Dark Night is what survived.
| Tracklist: | Runtime: | Recorded: Date | Prod. | Recorded: Location |
|---|---|---|---|---|
| 1. how it feels | 1:40 | 2018 | Ocean | Blainedale Dr |
| 2. PAINN | 2:42 | 2018 | Ocean | Blainedale Dr |
| 3. Cells | 2:45 | 2018 | Ocean | Blainedale Dr |
| 4. Moving On | 3:45 | 2018 | Ocean | Duke St |
NOCTURNAL 2020
LP #1
♥︎✪
Debut Album
Released: Nov.7.2020
-Recorded during the Covid Lockdown of 2020
Descriptions of 2015-19
I scrapped & rewrote this album 2 times before i ended up with these songs
| Tracklist: | Runtime: | Recorded: Date | Prod. | Recorded: Location |
|---|---|---|---|---|
| 1. Nightmare | 2:18 | May 19, 2020, 1:37:41 PM | Paco Lee | Pleasant St |
| 2. Up There (High School) | 2:36 | April 25, 2020, 1:05:36 PM | - | Pleasant St |
| 3. In My Head | 2:52 | July 19, 2020, 5:29:58 AM | - | Pleasant St |
| 4. Hate Myself | 2:35 | May 10, 2020, 11:12:52 PM | - | Pleasant St |
| 5. whatever (Interlude) | 2:35 | May 24, 2020, 9:43:38 PM | - | Pleasant St |
| 6. Ice, I'm Falling | 2:41 | June 7, 2020, 9:47:53 PM | Paco Lee | Pleasant St |
| 7. Where Would I Be? | 3:39 | April 8, 2020, 7:51:16 PM | Paco Lee | Pleasant St |
| 8. Idle | 3:45 | April 28, 2020, 6:12:14 PM | Kampsy | Pleasant St |
| 9. Dial Tone | 2:25 | May 21, 2020, 1:34:36 PM – June 12, 2020 | Farber | Pleasant St |
NOCTURNAL Links:
PinkHat 2020
Mixtape #2
Released: Nov.17.2020
-Recorded during the Covid Lockdown of 2020
Recorded alongside Nocturnal, These were some of the other songs from that time,Though NOC was a little more so about reflections, where as PINKHAT i believe i was just purely in the moment.
-The name comes from the reoccurrence of people always seemingly calling out whenever i wore a Pink Hat.
and the idea and wonder behind how people can attach a particular color to a standpoint of character.
| Tracklist: | Runtime: | Recorded: | Prod. | Recorded: Location |
|---|---|---|---|---|
| 1. Shooting Stars | 2:58 | . | Kampsy + Trent Hall | Pleasant St |
| 2. Payyo (4 Nights) | 2:59 | . | Tofito | Pleasant St |
| 3. Cold Minute | 1:53 | . | Ocean | Pleasant St |
| 4. Sore | 1:49 | . | Ocean | Pleasant St |
| 5. ** Look Alive** | 2:34 | . | AhnBoy | Pleasant St |
| 6. When I'm Home | 2:55 | . | Ocean | Pleasant St |
| 7. Tall Shot Glass | 2:41 | . | CapsCtrl | Pleasant St |
| 8. need u here | 1.52 | . | Paco Lee | Pleasant St |
| 9. Life Games | 4:16 | . | Ryini | Pleasant St |
| 10. Nobody | 3:16 | . | Ocean | Pleasant St |
| 11. lone | 1:27 | . | Tofito | Pleasant St |
| 12. lone | 1:28 | . | Ocean | Pleasant St |
| 13. Too Late (Beautiful, Dark, Twisted, Fantasy) | 3:13 | . | Paco Lee | Pleasant St |
| 14. Young & Numb forever Freestyle take | 2:19 | . | Farber | Pleasant St |
DisEmber 2020
LP #2
♡
| Tracklist: | Runtime: | Recorded: | Prod. | Recorded: Location |
|---|---|---|---|---|
| 1. Losing | 1:32 | |||
| 2. PUP Lil Bastard | 1:21 | - | - | College Ct |
| 3. SAVE ME | 2:07 | |||
| 4. ROTTEN SEEDS, FORGOTTEN KIDS | 1:27 | |||
| 5. DisEmber | 1:35 | |||
| 6. In The Snow | 2:44 | |||
| 7. TIME | 4:13 | - | - | Pleasant St |
| 8. Afterall (DRIVE) | 3:20 | |||
| 9. dwc (Lie's Interlude) | 1:44 | |||
| Ambition's of a Loser | 3:06 | September 12, 2020, 10:45:37 AM | - | Pleasant St |
+2024 DisEmber Expanded Edition
Somber Session's 2021
Demo Collection
♡
Released: Dec.17.2021
| Tracklist: | Runtime: | Recorded: | idk |
|---|---|---|---|
| 1. LUV SICK | 1:32 | August 21, 2021, 3:04:55 PM | |
| 2. Feelings | 1:21 | February 27, 2021, 9:44:23 PM | |
| 3. PISS ON FIRE (Original) | 2:07 | February 23, 2020, 3:05:47 AM |
Somber Links:
SELF Conflicted, SELF Harm 2021
Mixtape #3
Released: Feb.4.2021
The first half of SELF/BROKEN
This side shows Anger
BROKEN WAVES 2021
Mixtape #4
Released: Feb.14.2021
The second half of SELF/BROKEN
This side shows Depression
SELF / BROKEN 2021
LUV: River Gone Dry 2021
The Quiet Things... 2021
Witnesser 2021
QUEST 2022
THE WATCHER 2022
IN THE SHADOW 2022
AFTER DARK 2022
Bloody Pastel 2022
(Dark Age Demo's) 2023
H I D E 2023
C R A W L 2023
BLACK SEA (Pt.1) 2023
BLACK SEA Pt.2: COLD BLOOD 2024
DEAD SEA: Freestyles 2024
WINDOW 2024
LIV 2 DIE 2024
Released: Dec.17.2024
| Tracklist: | Runtime: | Recorded: | Prod. | Recorded: Location |
|---|---|---|---|---|
| 1. It's Been Awhile | 1:32 | August 21, 2021, 3:04:55 PM | - | Pleasant St |
| 2. Mid-DisEmber | 1:21 | February 27, 2021, 9:44:23 PM | - | Pleasant St |
| 3. Ambition's Of A Loser (Original) | 2:07 | February 23, 2020, 3:05:47 AM | - | Pleasant St |
Never 2025
Forever 2025
Never, Forever 2025
M.I.A. 2025
ELIXIR 2025
SyNatiX
MIXTAPE 1
SyNatiX
EP 1
A Dark Night
ALBUM 1
NOCTURNAL
MIXTAPE 2
PINKHAT
ALBUM 2
DisEmber LP
DEMOS 1
Somber Sessions
MIXTAPE 3
SELF Conflicted, SELF Harm
MIXTAPE 4
BROKEN WAVES
MIXTAPE Compilation
SELF / BROKEN
DEMOS 2
LUV: River Gone Dry
MIXTAPE 5
The Quiet Things..
EP 2
The Witnesser
EP 3
QUEST
EP 4
The WATCHER
MIXTAPE 6
IN THE SHADOW
ALBUM 3
AFTER DARK
EP 5
BLOODY PASTEL
DEMOS 3
DARK AGE DEMOS
DEMOS 4
H I D E
MIXTAPE 7
C R A W L
EP 6
BLACK SEA Pt.1
EP 7
BLACK SEA Pt.2: COLD BLOOD
DEMOS 5
DEAD SEA: Freestyles
EP 8
WINDOW
DEMOS 6
LIV 2 DIE
EP 9
Never
EP 10
Forever
ALBUM 4
Never, Forever
EP 11
M.I.A.
MIXTAPE 8
ELIXIR
lost ep
DOORWAY'S
Welcome to NomaticX
I've built this site to accompany my ART.My birth name is Harrison, You may know me as Nomatic.Self Documentation & Expression in a Therapeutic & Artistic way.
Writing, and Music does this.Along this Journey, Visual Art followed.
Including Photography in use of Album Covers.
Digital Art to draw or edit them, alongside graphics and other stuff.and so Graphic design/video editing had always caught my interest, I found it more natural than physical art, Aside from drawing on my own skin.Which brings us to Fashion, and Photography. 2 things I always enjoyed, yet struggled to afford.More recently I've pushed myself, alongside the encouragement of my girlfriend to actually Paint & Draw.
Completely self taught, just like everything else.I've been enjoying the process alot, and have been posting & documenting the full journey along the waySo now there's 7 Artforms X Nomatic
-Music
-Writing
-Photography
-Fashion
-Digital Art
-Physical Art
-Videos (mixing all)
So For every Artform, there's a Homepage.
At any given time you can go back to any specific Artform Homepage by clicking it's Button at the top of the page:
The Campfire Button is THE Homepage - Homepage of ALL Home pages
Click one to get started.
Click this Special Campfire for some Special Lore
Why a Campfire?
I've built this site to accompany my art.My name is Harrison, You may know me as Nomatic.i've been writing songs since i was 14.i started recording my own vocals at 16.i've always fell in love with the idea of Self Documentation & Expression in a Therapeutic & Artistic way.
Writing, and Music does this.it's not just about songs, its about a group of songs and how they all tie together, with what is written & said beneath.There's no better feeling than envisioning and creating a new art project.
Here you can View, Read, and Listen to them all.
This site is built to be a Scroll Based Music Disgocraphy & Biography tied together.
The Further you scroll, the further you get in the story, my story.
I did add some shortcuts though, for those who are just passing through.
the order i would recommend is either chronological ( in order of release ) alongside my Auto-Biography
Or through one of my Series.
THE NOCTURNAL SAGA
A Personal Odyssey in Sound and ShadowThe Nocturnal Saga is more than just a collection of music - it's a living, breathing chronicle of my life through its darkest chapters. Think of it as a personal diary, written not in ink, but in sound. It documents not only the pain, fear, and isolation that come with navigating the night within - but also the growth, clarity, and epiphanies that are born there.Each entry in the saga reflects a stage of evolution, a different part of my ongoing journey. Together, they form a body of work that is both autobiographical and ever-expanding.
📖 STRUCTURE OF THE SAGA
Main Quests (Canon)
These are the cornerstone projects - albums, EPs, or mixtapes that represent the highest level of effort, production, and emotional weight. They hit the hardest, and they matter the most to the overarching story.
Side Quests
(Filler with Purpose)
These are the explorations between the milestones. Not mandatory to enjoy the saga, but they provide essential context - snapshots of moods, experiments, or overlooked emotions. They fill in the spaces and give a richer, fuller picture of the timeline.HOW TO EXPERIENCE ITYou don’t need to follow the timeline perfectly. Some listeners might connect with earlier versions of me. Others may resonate more with where I am now. Some might be drawn to the raw sound, others to the lyrical depth or artistic vision. There’s no single way to experience it - The Nocturnal Saga is fragmented on purpose, scattered like memories across different corners of the soul.Think of it like a book series.
Each project is a chapter - each chapter, a piece of a much larger autobiography.
I didn’t plan for A Dark Night. I didn’t even think I’d get another chance.Losing two full projects back-to-back wiped me out mentally. They were complicated, experimental, the kind of ideas you only get once when you’re young enough not to care what’s possible. And when they were gone, that feeling — the pure, accidental magic — was gone too. I thought that was it. I sunk into that darkness. I questioned if music was even meant for me.Then Moving On happened. The last song in that first place I ever recorded. It felt like the first moment I was actually saying something real. And that was all I had left to stand on.Moving to a new space, staying up every night trying to figure out recording again — I found these beats from Ocean Beats that lit a spark. Suddenly I had eight tracks, nearly a full album. It felt like a comeback. A rebirth.And then the new computer crashed.Everything gone again.
Same pain. Same lesson. Same question:“Is this the world telling me to quit,
or testing if I’m serious?”The only thing I ever got compliments on was music itself. It was the only thing that gave me direction when everything else felt lost. So when I found four MP3s I had emailed out — not the masters, not even editable versions — I held onto them like they were the last pieces of me that survived.No fixes. No polishing. Just scars.And I realized… maybe that’s the point.A Dark Night exists because two other albums died. It forced a new path — one that eventually became the Nocturnal Saga. A different fate. A different timeline. A whole new version of who I could be.I create from what the world throws at me — crashes, heartbreaks, setbacks, little wins. I’m the mirror, and these projects are snapshots of the reflection at each moment in time.ChaptersIf I never lost Mental Aggression and The Martian, maybe those would’ve led here anyway… but it wouldn’t be the same story.You don’t control destiny.
You just keep walking through the dark until something glows.And this project — this imperfect survivor —
was the first light.Chapter: NocturnalAt first, when I was creating A Dark Night, I was working and going to school at the same time. I’d go from classes to shifts, trying to fit music somewhere in between all of it. It was exhausting, but I didn’t want to stop. That project wasn’t meant to be an LP — it was meant to be what it became — a moment. Something perfectly imperfect, honest, and real.After that, I decided the best thing to do was leave the past in the past and keep moving forward. Create something new. That’s where Nocturnal came from. Inspired by that same kind of sound but more alive — a little more upbeat, but still carrying the same feeling.I started creating more and more songs, chasing that late-night energy. The name fit perfectly. But Nocturnal turned into something that grew too fast — it became a full project that I wrote completely, but I could never get the mixes or verses right. I started trying to build it in different creative ways — lining up the tracklist, making sure the transitions were clean, keeping the energy waves consistent. I even played with movie scenes and tried to create connections through feeling, sound, and the world around me.But the result was a frustrating mess. I gave up for a while.During that time, I was working a lot. At first, it was school and the grocery store, but when school started causing more problems than it solved, I dropped it. I picked up a second job — floor cleaning from 10 p.m. to 5 a.m. — while still working at the same grocery store in the evenings. Two jobs, barely sleeping, and music somewhere in between.Eventually, I switched to Sproul Lumber. It paid more and meant I could work one job instead of two. That was a relief. I was cleaning offices, bathrooms, waxing floors, painting, taking out garbage — whatever they needed. It wasn’t glamorous, but it gave me stability.That’s when I was finally able to get my own place — a one-bedroom basement apartment for $750 a month, all included. It wasn’t big, but it was mine.I’d sneak headphones in whenever I could, even though it wasn’t allowed. It seemed crazy, given the kind of work I was doing. But I needed music. It kept me focused. Kept me from fading out.During this time, Nocturnal was still unfinished. I kept thinking about it — listening to the beats during shifts, trying to figure out what it needed. But I was so deep in routine that recording never came together. So I decided to just post what I had — the Nocturnal skeleton — in December 2019. No vocals, no polish, just the bare bones of what it was meant to be.Then came Christmas eve morning. I was driving to work at Sproul, roads covered in black ice. I hit a patch, lost control, and flipped into a ditch. It all happened fast. One second I was driving, the next I was upside down.I didn’t have a phone on me. Couldn’t call my insurance, couldn’t call anyone. The cop who showed up called a tow truck for me — which also meant I was out four hundred dollars, since it didn’t go through insurance. At the time, I wasn’t even thinking about all that. I was just trying to breathe, trying to make sense of what just happened.Somehow, I walked away fine. But I knew how close it was. A few differences, and that could’ve easily been it.And that’s what gets me sometimes — because if it had been, if I hadn’t made it out of that ditch, the last thing I ever would’ve posted was Nocturnal — that skeleton. Just a lineup of unfinished beats. No vocals. No story. Just fragments of something I was still trying to understand.I think about that often. It trips me out. Because not only did I eventually reinvent that name and bring that concept to life, but I built so much more from it — even though at that time, I felt so lost, so tired, and like I couldn’t create anything at all.It wasn’t until later that day, Christmas eve, that I was finally able to message her — my supervisor — to tell her what had happened. She replied after Christmas, and somehow turned it around on me. Said it was my fault for not giving more notice that I couldn’t come in.When I went in after the holidays, she said the same thing again, just in person this time. No sympathy. Just protocol.She had the pull to make it stick. My boss liked me, but she pushed it until he decided to make a change. I was let go — not in anger, but officially. That’s when I went on EI.It was strange. For the first time, I had time. My own place. No work. Nothing but quiet.But I was tired. So tired. I started sleeping more than ever — getting addicted to dreaming. Lucid dreaming.I’d been sober the entire time I worked for Sproul, but once I was home with all that free time, I started thinking about drinking or smoking again. Half my days were spent drawing digitally, the other half playing Apex Legends. But neither of those things filled the same space that music did.Still, I couldn’t quite get myself into that creative mindset. Not until I started smoking again, drinking a bit, listening to music, and letting my thoughts drift back into that place where wonder and emotion collide.And then COVID hit. Suddenly, I had even more time than I thought I would.Those first few months of EI where I swore I’d make music but didn’t turned into a whole new chapter of stillness. The world stopped, and for once, I didn’t feel guilty about standing still.They gave us money, and I created. Paid my rent. Stayed inside my little bubble while everything outside fell apart.In so many ways, it was a beautiful time — even with all the chaos surrounding it.That year — 2020 — after the cold winter of the start of COVID and being indoors, the sun finally came out. I started going into town again, wandering, meeting people, skating, biking. I didn’t have a car anymore, but it didn’t matter. I felt like I had taken something back from expectation — my youth.Even then, I was still lost. Depressed. Alone. Pessimistic. Stuck in my head, hating myself in so many ways, yet loving myself for what I was creating.And all those songs — all that energy — in that year became three projects: Nocturnal, DisEmber, and Pinkhat. Three sides of me. Three different worlds, but all the same heartbeat.Nocturnal felt like the biggest achievement because it became a solid time capsule — a Mirror, or reflection of that time, as so much of that covid free time was spent reflecting on the past. perfectly imperfect in the same way A Dark Night was, but this time, I controlled how it ended.And that part stuck with me.
It’s funny - looking back on SyNatiX now, it didn’t feel that meaningful at the time. For a long while, it never seemed to carry the same sense of achievement as Nocturnal later did.But with hindsight, I realize it was the genesis of everything that came after. Everything I am now.SyNatiX was where the drive began - to be endless, to be creative, to roam freely and without borders. To be timeless. It planted the seed of what would become a need, almost a hunger, to create and keep pushing forward, no matter what.But it wasn’t all light. There was a darkness to it too - one born of outside pressures, expectations, fears that didn’t belong to me but found their way into my process anyway. That kind of weight eats away at you slowly. It drains your time. It consumes you without you realizing, until suddenly you're carrying too much.That’s what pushed me to start breaking off into other projects.
One of them was Mental Aggression - more personal, more raw.Something that leaned into the same emotions but with more honesty, more darkness. It was supposed to be a mixtape that went deeper than anything before it.Then came The Martian, which was the opposite in many ways. That one was about pure creative freedom - becoming anything, anyone. A shapeshifter of expression. It was experimental, detached from rules. Just a vessel for whatever I felt I could be.The Martian and Mental Aggression were two sides of the same coin: one about leaning into the void, the other about escaping gravity entirely.And somehow, it all ties back to SyNatiX. That was where the “X” connection began, something I’ve used ever since - almost unconsciously - like a thread running through all my work.That's where my energy began to translate.
Then I lost them. Both The Martian and Mental Aggression - gone when my hard drive crashed.That loss hit harder than I expected.
And that’s what led to A Dark Night.
I started making music…
Well — maybe we should go back a step further.I think I started making music the first time I remember hearing a song. My earliest memories of music were a mix of different sounds. On my dad’s side, I was hearing a lot of country. On my mom’s side, it was more pop, pop-rock, and a little club rap. Then I had an older brother who brought in artists like Eminem and 50 Cent.So by the time I was three to five years old, I had memories of Eminem. And it wasn’t necessarily that he was making better music than anyone else I was hearing — it’s that he stood out. He showed me that a song could be different. I didn’t even know what rap really was at that point.But when I listened to him — what he was saying, the energy, the force behind it — it was empowering. It gave me energy. Even as a little kid, I could feel that. It had shock value too. I’d think, Whoa. He just said that?Of course, there were all kinds of other music influencing me too, especially as I got a little older — melodies, different genres. I tried to learn instruments, I really did. But I didn’t have the same passion for that as I did for expressing my voice, my thoughts, my ideas. Writing and coming up with vocal melodies felt like the purest instrument to me. It was the most honest thing I could do.Everyone listens to music for different reasons. Instruments are huge, of course. But for me, the part that always stood out was the honesty, the character, the intelligence, the poetry behind it. The part that made you think.Sure, a song can sound good — that’s great, that’s a bonus. But to me, the highest level a song can reach is when it makes someone relate or reflect. When it provokes thought — when the questions it raises linger in your head long after the song is over. And sometimes it doesn’t even have to mean anything specific. It just has to be artful enough to make people wonder.I became kind of obsessed with that. And then on top of that, I loved the art of an album. Seeing how an artist could use each album as a new chapter of their life — documenting it all in a way people could listen to, groove to, understand. That blew my mind. You could leave your mark on the world through this fun, raw, real, creative thing.But then I thought: How could I do that?
I was antisocial, nervous, anxious — I couldn’t even talk to girls. How was I supposed to make music and put it out to the world?Well… I could try.I started writing lyrics here and there, mostly in middle school — Grade 7 to Grade 9. And it kept building. By Grade 9, I wasn’t fitting into school very well. I clashed with teachers; it felt like they were trying to conform me instead of helping me think freely.So, school didn’t really work for me. I remember they gave us agendas, and we had this daily "reading" time where we were supposed to pick a book. But I couldn’t focus in that environment. I wasn’t interested in the books that were available.So instead, I’d pull out my agenda and write in it. The teachers and students would laugh — “Harrison’s reading his agenda again.” But they didn’t realize I wasn’t just messing around — I was writing lyrics. And I still have that agenda somewhere, full of scattered lyrics and notes.At first, I’d write down lyrics from other artists — lines that were stuck in my head. And by doing that, without realizing it, I was learning how words were structured, how flow worked, how emotion translated into lyrics. Over time, I started changing those lyrics. Then I started writing my own.It became a mix of my emotions and whatever I was going through. And as a young teenager, life feels chaotic — it’s new, overwhelming. Everyone has problems at that age, but not everyone writes them down. And almost no one records them and releases them for others to hear.That makes you a little crazy, a little out-of-the-box — but that’s art. Nobody calls the artist with five albums and a following “crazy” — they call that inspiring. But when you’re just starting out as a kid, people often see it as naïve or unrealistic.They’d say: “Focus on school. Focus on paying your bills.” And for them, that’s valid — that’s their path. But it doesn’t have to be mine.It was hard ignoring those voices. You deal with comments, judgments, misunderstandings. Some people will dismiss your work because they aren’t lyric-driven listeners — they want polished mixes and catchy beats. But others will listen deeply, and those are your people.Seeing other artists do it showed me what was possible. It sparked the question: What else do I have to say? What do I think about? What do I love? And when school felt like it was pushing me away, music pulled me closer to who I really was.So I followed that.By the time I was 15 or 16, I started seriously trying to write and record. I found an old mic one of my brother’s exes had left behind. I tied it up with a shoelace to a broken surround-sound speaker stand and set it up in my closet. I’d record when no one was home — that way, if it sucked, no one would know. But if it worked… maybe I could build on it.And that’s basically how it all started.
MAIN QUESTS
SIDE QUESTS
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An Album by my definition is the most pure & authentic Chapters in time.
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An EP by my definition is the shorter most pure & authentic Chapters in time.
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A MIXTAPE by my definition is often lesser to an ALBUM, but not always.
Often they're just more Experimental, Deeper, stranger, weirder.
Like an album, a Chapter in time.
Usually focused on a shorter time frame of life, an album might describe a couple years in time, where a mixtape might only describe a couple weeks.
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Demo's is everything left.
Lost peices, lone peices, tied together the best I can.
collections of black sheep
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Mental Aggresion (MA) mixtape -2017
Fully Written & Produced Tape.
Produced by Trunxks
I had invisioned a grey color pallette for this project, something along the lines of C R A W L
The flow & writing style was similar to that of SyNatiX, yet more personal, and more anger.
Think: SELF Conflicted, SELF Harm energy, if it were less emo and more RAP. Less love, and more hunger/ resilience.Lost on an old notebook
The Martain ep -2017
This had about 3 songs created, and nearly finished. It was an experimental project using pitch corrections and different FX in attempts to make something conceptual within the rap/experimental genre.I lost it when my hard-drive crashed
A Dark Night LP -2018
The full version of the:
A DARK NIGHT EPI lost the rest of the tracks when my hard-drive crashed.
The released EP tracks .mp3 files are the only ones that survived the crash out of luck due to me sending them back & fourth to OCEAN through email
NOCTURNAL original version -2019
The original Nocturnal had a complete different sound, and songs. This was because I had created the name and coverart long before the finished product.
This version of NOCTURNAL got lost on my second computer failure. The failure that made me buy an external Hard-drive to ensure it NEVER happens again.
Frustrated but it wasn't the end. because I wasn't at all satisfied with the recording process and the way the album was going. It wasn't reaching my vision for what I thought "nocturnal" should be & sound like
And in-between this project & the actual final release in 2020 was a massive gap in time & events, that I often Contemplating quitting in & never returning to music.But then covid hit. I lost my job. Had alot of free time, finally had a new computer, microphone and lonely time, and so the dream came back.This OG version before that was actually fully written, and half recorded.
Unfortunately none of the vocals survived the crash.
You can actually still listen to the instrumental tracklist of the old Nocturnal (without any vocals)
Because I had uploaded the instrumentation as a whole to test the album before recording, to see if it transitions well.I often think it would be cool to try and record this album now, with the same older lyrics and a better voice
CRYSTALS ep -2021
I had invisioned creating an ep with each track being named after different Crystals. Starting with Amethyst, but the rest didn't work very well. One that I can remember - that I think I still have.. is called Blue Saphire, but I never released it, and ended up just putting Amethyst onto a later EP called QUEST.
NOMATIC - LP -2021
NOMATIC LP was a collection of what I felt my greatest overall songs to this point were, all together.
Later taken down because I wanted people to listen to the albums as a whole
LOVE ep -2021
Technically this one still exists, it just expanded into LUV:River Gone Dry (demos)
Low Life & High Tides - Tape -2021
DEAD ART & THE GREEN ROOM - Tape - 2021
a quiet place - Tape - 2022
Most of these songs ended up on IN THE SHADOW, DARK AGE DEMOS, and AFTER DARK
THE BOY WITH NO NAME - Unreleased
REDWICK - Unreleased
TILL DAWN - Unreleased
